- Vampire Liberation Front
- The Ballad Of George Jackson
- The Inherent Contradictions Of Imperialism
- Letter To My Family
- Union Made Guillotine
- Two Stick Stabber
- Death Is Afraid Of Leningrad
- They're Moving Father's Grave To Build A Sewer
- Winter Bear
- Wild Turkey
- Devils Gut
- Bottom Of The Sea
- Skunks
- Kudzu
- Tick Attack
- Riparian Trilogy
- Waterfowl At Mattamuskeet
Mostrando entradas con la etiqueta Crimson Spectre. Mostrar todas las entradas
Mostrando entradas con la etiqueta Crimson Spectre. Mostrar todas las entradas
miércoles, 7 de enero de 2009
Crimson Spectre:
(2005)-Crimson Spectre-Uwharria (Split):
Crimson Spectre:
(2004)-Crimson Spectre:
- Strength Of Ten Men
- Ode To Jesus Colon
- Red Standard
- Bourgeois Decadence Of Depression
- Ghoul Punks
- Family Tree Of Regret
- Masque Of The Red Death
- Bullet (With Your Name)
- Bread And Roses Revisited
- White Trash Manifesto
- Ghosts Of Long Kesh
- Untimely Death Of Mister Iskra
- Crimson Spectre
...........................From North Carolina U.S.A.
Miembros Del Grupo:
Crimson Chris, Toxic Scott, Rash, Dave Spectre and Pistopher.
Influencias:
While readily acknowledging our debt to such bands as the Misfits, Samhain, and the Accused, we in Crimson Spectre also align ourselves with a dissident aesthetic most visible, in this country, in the horror films of the past thirty years, where - to quote Lenin - the "Aesopian language" of zombies, cannibalism, chainsaw massacres, monster babies, demonic possession, and hockey-masked serial killers has provided allegorical embodiment for social critiques and political analyses otherwise considered too volatile for the pop-culture arena.
Info:
“Horror is everywhere around us: horrors of war, horrors of occupation, horrors of poverty, horrors of social injustice. A ghoul-punk aesthetic is one strategy among many a band might employ to draw attention to this collective political nightmare and to articulate it in a highly-stylized and accessible form. It might also be the most fun. While readily acknowledging debt to such bands as the Misfits, Samhain, and the Accused, Crimson Spectre also align themselves with a dissident aesthetic most visible, in this country, in the horror films of the past thirty years, where - to quote Lenin - the "Aesopian language" of zombies, cannibalism, chainsaw massacres, monster babies, demonic possession, and hockey-masked serial killers has provided allegorical embodiment for social critiques and political analyses otherwise considered too volatile for the pop-culture arena. Because the ruling class chooses to dress up stark imperialism in a rhetoric of righteousness, self-defense, and pseudo-Christianity, labeling anyone who opposes its amoral profiteering an "evil-doer" or worse, Crimson Spectre eagerly adopts the iconography of Evil and is proud to point out that its members form, at all times, the five points of a human pentagram.” Yes, please bring on the evil.
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